iJADE Conference 2014: Collaborative Practices in Arts Education

iJADE: 2014Collaborative Practices in Arts Education24th - 25th October 2014 | Tate LiverpoolMy collaborator Yvette Sullivan and I have been fortunate to be invited to speak at the 2014 iJADE conference on collaborative practices in Arts Education.Despite the prevailing dogmas of individualism and competition, collaboration, partnerships and collective activity have continued to thrive in arts practices. This year's iJADE conference will focus on collaboration in arts education, and invites papers that investigate this theme.Collaboration strands...changes in the way that we think about collaboration; the ethics of collaboration; young people as researchers/artists within collaborative practices; collaborative funding; international creative partnerships; scholl…

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Graphicality Catalogue

artist statementThe making of a single line which immediately implies the divide between ground and ‘not-ground’ and the ontological contrast of mark and non-mark, is where intent resides and the experience of mark-making begins. The line, the mark, the scrawl, the scratch, the grapheme, the trace, the scribble, the drawing, the graphic; at once delineated and designed, spontaneous and considered.Graphicality is evoked within this body of work as a quality of line, an explicitly diagrammatic, painted, written, formed, designed and drawn mark. These works refers to that graphical line and the shapes circumscribed and explored by it – particularly the rhizome.In…

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Graphicality @ Greenway Gallery

Graphicality new work by Caelli Jo Brooker @ Greenway Gallery 06, 07, 08 December 2013 Graphicality is a bit of a precursor to the PhD exhibition and a chance to give some of the pieces a little outing before then... -------------------------------- greenway gallery 166 Swan Street Morpeth NSW 2321 hours: mon - thu closed fri - sun 11:00am - 4:00pm phone: 02 4934 6411 --------------------------------

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Forgetting Painting…

There has been a great deal of screen time lately spent with words rather than images, so some old sanded down works became the victims of too much time away from the studio...started in the usual way with marks and some more marks, well, lots more marks, really...changed the scale of the marks...bigger lines, different demands of the mark...different painting now...                                                                                  

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